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"[Try To Be Someone], lifted from DONCAT’s forthcoming album Preservation of the Spirit, follows a self-discovery journey. As Nielsen says, ”‘Try To Be Someone’ tells the story of a young hopeful headed to Los Angeles in search of fame, but more so reinvention.” It’s a theme that fascinates the San Francisco-based singer-songwriter—the “pursuit of fame as a means of personal growth.” Because, at the end of the day, what does it mean to “be someone”? Fame is fleeting and intangible. ”[It’s] dependent on strange hype,” he adds. And hype, of course, fades. But self-worth? That can stay forever, as long as you work on it. So instead of trying to be someone for other people, be your own someone. May DONCAT’s latest inspire you to do so."
- NYLON
 
"The video for "Once I Went To Las Vegas," off DONCAT's forthcoming album Preservation of the Spirit, is a 16 mm reverie.  Nielsen's voice weaves delicately through a wash of skittering drums and psychedelic guitar. The video's gorgeous nature imagery is a perfect complement for the track, which is a sharp critique of materialism and daily social anxieties."
- PAPER
 
"There is nothing wrong with experimentation, but there is also something special about an artist that manages to keep their sound consistent for years. Take San Francisco’s DONCAT, who has delivered golden waves on each of his previous two LPs; his brand new record, Preservation of the Spirit, channels the same energy with cooperative guitar melodies and nostalgic undertones. 'Preservation' may be more succinct than its predecessor but the emotion it channels is arguably more potent, once again able to subtly reinvent his own sound without losing the attention of longtime fans and able to grab new ones too."
- The 405

 

Quick Bio:

DONCAT is Duncan Nielsen, a San Francisco based songwriter and performer with a penchant for rock, soul and folk stylings. His songs draw from the deep history of California counter-culture music and discuss both the hope and uncertainty of the American dream in kaleidoscopic cynicism.

Upcoming release 'Preservation of The Spirit' is a brief 8 tracks, but delivers concise themes of artifice, modern myth, disintegrating social fabric, and, as the title namely outlines, preserving ones spirit when it's time to, well, face the music. Each song is a distinctly American narrative rife with poignant satire. In 'Once I Went to Las Vegas' Nielsen sings, "I'm smoking cigars in a cheap suit/eating foie gras in a restaurant, five stars/are these my lucky cards?" The album shifts casually between swirling, hypnotizing textures and reckless, loud, electric-guitar bravado - a tasteful blend and welcome progression from his earlier, folkier leanings.

 

Long Bio:

Duncan Nielsen has sported the moniker ‘DONCAT’ since 2013. Since then he’s lived in a vista-abundant neighborhood in San Francisco, CA, just south of Haight-Ashbury perched on a hill. From almost anywhere in his house the eye can reach the eastern edge of the city, as well as downtown. On most days, just on the shoulders of the hill behind his house, fingers of heavy fog quietly creep in. He spends a lot of time just sitting in what he calls the Princess Room - a small, light, airy box of windows - staring out at the panoramic view.

“Sometimes I have a guitar in my hands but I'm not even playing. Like, I forget to play cause I'm just lost in my head and simultaneously staring at the view. I do get things done though, lots of demoing and writing up there.”

Nielsen’s youth both informs and structures his meditative songwriting process. He was raised with horses on acres of land in a pristine, quiet valley, away from the asphalt upbringing of his elementary school chums. As a kid, he spent the lion’s share of his time mucking stalls, playing basketball (his coach gave him dribbling goggles but they were useless in a dirt and gravel driveway) and channeling classic rock on a crappy Squire guitar while his older brother played drums.

His growing affinity for the golden age of music only continued to separate him from his peers. In junior-high, he gifted Led Zeppelin I at a birthday party and was ostracized. By the time he entered high school, he found himself as the token kid-with-a-guitar: loved by all and known by none. This bolstered his penchant for writing iconoclastic songs, as well as skipping high school to surf alone.

These days, Nielsen moves from his grandmother’s Wurlitzer piano to his father’s hand-me-down acoustic guitar writing songs at home. He sits in front of a four-track cassette recorder and gets the bones of his songs together with the minimal offerings of that dusty, anachronistic piece of gear.

Upcoming release 'Preservation of The Spirit' is a brief 8 tracks, but delivers concise themes of artifice, modern myth, disintegrating social fabric, and, as the title namely outlines, preserving ones spirit when it's time to, well, face the music. Each song is a distinctly American narrative rife with poignant satire. In 'Once I Went to Las Vegas' Nielsen sings, "I'm smoking cigars in a cheap suit/eating foie gras in a restaurant, five stars/are these my lucky cards?" The album shifts casually between swirling, hypnotizing textures and reckless, loud, electric-guitar bravado - a tasteful blend and welcome progression from his earlier, folkier leanings.

Nielsen's fourth effort to date explores a more live approach to recording, showcasing the talents of his band of four years.  Current members include Chris Sugiura on bass, Kyle Kelly-Yahner on drums, and Jesse Cafiero on keys.  The bulk of it was recorded at Phil Manley-owned El Studio - yes, as in The Studio - over the course of 5 long days.

To date, Nielsen’s songs have been featured in network television series and independent films such as Jessica Biel's "The Sinner," ABC's "Nashville" and "Through The Rye." He’s opened shows for The Walkmen’s Hamilton Leithauser, Hayden, and Julia Holter. He's done several nationwide tours as guitarist, vocalist and keyboard player for Geographer. 'Preservation of The Spirit' is due out May 18th via Marble Eye Music.

PRESS FROM PRIOR RELEASES:

"San Francisco’s Doncat treats us to a timely holiday gift - a comfy, melodic, and keenly melodramatic new single, titled, 'December Lows.' The instant classic feels like a warm sweater on a cold morning, steam rising from a freshly brewed cup of coffee with a turntable spinning nearby." 
-Earmilk
 
"New album 'Easy Cowboy' is out now, a collection of psych-folk cuts with a plangent Laurel Canyon atmosphere.  Taken from the album, 'LA In 83' is wonderfully downcast, with Doncat's gentle poetry matched against a hazy, never-rushed arrangement." 
- Clash
 
"San Francisco-based singer-songwriter Duncan Nielsen is inspired by George Harrison ... and on his debut track 'Ride On' he coos to [his] sounds with whisper of Americana.
- NME
 
"DONCAT (aka Duncan Nielsen) just released his new song “Western” that gallops with a hazy-day California pop mode of freedom found off his upcoming album Easy Cowboy. It’s like a west coast tour with a view glancing at the coast from the van as you cruise gently along the stop & go patience testing might & majesty of Highway 1."
- Impose
 
"The second release from singer-songwriter Duncan Nielsen, Easy Cowboy's eleven tracks are a string of haunted musings with an onion-centered soul. This record is a vignette into blissful uncertainty, full of aching melodies and true rock and roll Americana. Easy Cowboy is tailor made for easy cruising on the open road." 
- Do The Bay
 
"When listening to the EP, it is as though you are right there with Duncan as he’s in the midst of the recording process. Like the San Franciscan fog slowly rolling into view, before you know it you are completely engulfed in the simple and mesmerizing sounds on Kind of Love." 
- The Bay Bridged
 
MORE PRESS:

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